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Pasolini Photo Days, Special Mythography – Preview

Palazzo Gopcevich - Sala Attilio Selva | Via Gioacchino Rossini 4 - Trieste, Italy Friday, 28 October 2022 - Sunday, 27 November 2022 10:00 am to 5:00 pm

Exhibition from 28 October to 27 November 2022
Palazzo Gopcevich, Sala “Attilio Selva”
Via Gioachino Rossini 4 - Trieste

Opening hours:
Tuesday to Sunday, from 10am to 5pm
Open also on November 1st 2022

Curated by Enrico Medda, professor of Greek literature at the University of Pisa
Special guest of the day, Nino Migliori Italian master of photography

On view photos by: Allegra Formenti, Amirhossein Yousefi Keysari, Anil Purohit, Antonio Lorenzini, Antonios Pasvantis, Babis Kavvadias, Biagio Salerno, Chiara Pulin, Cristina Embil, Cristina Garlesteanu, Francesca Codogno, Francesca Di Ciaula, Gabriele Calamelli, Gilda Luzzi, Igor Dudkovskiy, Javid Tafazoli, Maria Piera Branca, Maria Remo, Marina Franci, Mariolino Laudati, Mir-Kian Roshannia, Nicola Smaldore, Paolo Dellepiane, Rose Battistella, Rosetta Bonatti, Sama Sbrissa, Sarathi Thamodaran, Slavica Isovska, Vincenzo Avallone, Zurab Babaev.

Pasolini Photo Days 2022  celebrates Pier Paolo Pasolini's cultural and iconographic legacy through photography on the occasion of the centenary of his birth.
It is a project combine photography, literature, re-mediation and moments of encounter, in the international context of Trieste Photo Days and the Photo Days Tour (the setting for events taking place outside the city during the festival).

The best photos collected through the open call are in the double photographic volume:

  • Pasolini Photo Days 2022 - Special Mythography
    Edited and introduced by Professor Enrico Medda, the volume aims to (re)read through photography some Pasolini themes that have elements in common with mythology and the ancient world.
  • Pasolini Photo Days 2022 - The Unmasked Face
    Edited and introduced by the writer Paolo Patui, the volume will include photos inspired by the iconography of Pasolini’s cinema, in particular the faces and close-ups.
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Table of Contents